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— Patton, Patton (1970)No bastard ever won a war by dying for his country. You win a war by making the other poor bastard die for his country!
— Parry, The Fisher King (1991)I have a hard-on for you the size of Florida!
— Maximus, Gladiator (2000)I've seen much of the rest of the world. It is brutal and cruel and dark, Rome is the light.
— Patton, Patton (1970)(looking at remains of a battle) I love it! God help me, I love it so. I love it more than my life.
— Miles, Sideways (2004)If you don't have money at my age, you're not even in the game anymore. You're just a pasture animal waiting for the abattoir.
— Ron Franz, Into the Wild (2007)When you forgive, you love. And when you love, God's light shines on you.
— John Keating, Dead Poets Society (1989)Gather ye rosebuds while ye may, Old Time is still a-flying: And this same flower that smiles to-day To-morrow will be dying.
— Miles, Sideways (2004)Half my life is over, and I have nothing to show for it...I’m a smudge of excrement on a tissue, surging out to sea with a ton of raw sewage.
— Quintus & Maximus, Gladiator (2000)Quintus: "People should know when they're beaten!" Maximus: "Would you, Quintus? Would I?"
— William & Malcolm Wallace, Braveheart (1995)Young William: I can fight. Malcolm Wallace: I know. I know you can fight. But it's our wits that make us men.
— Gen. Omar Bradley, Patton (1970)Give George a headline, and he's good for another 30 miles.
— Christopher McCandless, Into the Wild (2007)I read somewhere... how important it is in life not necessarily to be strong... but to feel strong.
— John Keating, Dead Poets Society (1989)The powerful play goes on and you may contribute a verse. What will your verse be?
— Jake Sully, Avatar (2009)All I ever wanted was a single thing worth fighting for.
— Christopher McCandless, Into the Wild (2007)The core of man's spirit comes from new experiences.
— Jack Lucas, The Fisher King (1991)I'm hearing horses! Parry will be so pleased!
— Yuri Orlov, Lord of War (2005)Often the most barbaric atrocities occur when both sides proclaim themselves freedom fighters.
— Lars & Gus, Lars and the Real Girl (2007)Lars: Well, Bianca can help you. She's got nurse's training. Gus: No she doesn't. That's because she's a plastic...thing. Lars: That's amazing. Did you hear that? Bianca said God made her to help people.
— Miranda, Mrs. Doubtfire (1993)Miranda (to Daniel): I bring home a birthday cake and a few gifts; you bring home the Goddamn San Diego Zoo. And I have to clean up after it!
— Katsumoto & Nathan Algren, The Last Samurai (2003)Katsumoto: Do you believe a man can change his destiny? Algren: I think a man does what he can, until his destiny is revealed to him.
— Lester Burnham, American Beauty (1999)Look at me, jerking off in the shower... This will be the high point of my day; it's all downhill from here.
— King Longshank, Braveheart (1995)Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. The dead cost nothing.
— Patton, Patton (1970)No bastard ever won a war by dying for his country. You win a war by making the other poor bastard die for his country!
— Parry, The Fisher King (1991)I have a hard-on for you the size of Florida!
— Maximus, Gladiator (2000)I've seen much of the rest of the world. It is brutal and cruel and dark, Rome is the light.
— Patton, Patton (1970)(looking at remains of a battle) I love it! God help me, I love it so. I love it more than my life.
— Miles, Sideways (2004)If you don't have money at my age, you're not even in the game anymore. You're just a pasture animal waiting for the abattoir.
— Ron Franz, Into the Wild (2007)When you forgive, you love. And when you love, God's light shines on you.
— John Keating, Dead Poets Society (1989)Gather ye rosebuds while ye may, Old Time is still a-flying: And this same flower that smiles to-day To-morrow will be dying.
— Miles, Sideways (2004)Half my life is over, and I have nothing to show for it...I’m a smudge of excrement on a tissue, surging out to sea with a ton of raw sewage.
— Quintus & Maximus, Gladiator (2000)Quintus: "People should know when they're beaten!" Maximus: "Would you, Quintus? Would I?"
— William & Malcolm Wallace, Braveheart (1995)Young William: I can fight. Malcolm Wallace: I know. I know you can fight. But it's our wits that make us men.
— Gen. Omar Bradley, Patton (1970)Give George a headline, and he's good for another 30 miles.
— Christopher McCandless, Into the Wild (2007)I read somewhere... how important it is in life not necessarily to be strong... but to feel strong.
— John Keating, Dead Poets Society (1989)The powerful play goes on and you may contribute a verse. What will your verse be?
— Jake Sully, Avatar (2009)All I ever wanted was a single thing worth fighting for.
— Christopher McCandless, Into the Wild (2007)The core of man's spirit comes from new experiences.
— Jack Lucas, The Fisher King (1991)I'm hearing horses! Parry will be so pleased!
— Yuri Orlov, Lord of War (2005)Often the most barbaric atrocities occur when both sides proclaim themselves freedom fighters.
— Lars & Gus, Lars and the Real Girl (2007)Lars: Well, Bianca can help you. She's got nurse's training. Gus: No she doesn't. That's because she's a plastic...thing. Lars: That's amazing. Did you hear that? Bianca said God made her to help people.
— Miranda, Mrs. Doubtfire (1993)Miranda (to Daniel): I bring home a birthday cake and a few gifts; you bring home the Goddamn San Diego Zoo. And I have to clean up after it!
— Katsumoto & Nathan Algren, The Last Samurai (2003)Katsumoto: Do you believe a man can change his destiny? Algren: I think a man does what he can, until his destiny is revealed to him.
— Lester Burnham, American Beauty (1999)Look at me, jerking off in the shower... This will be the high point of my day; it's all downhill from here.
— King Longshank, Braveheart (1995)Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. The dead cost nothing.
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Join me in uncovering the archetypal path of growth that awaits in the world of movies. Watching movies will never be the same again. It's a promise.
Finally, the Lover has arrived. He took his time. The Lover's journey through life prioritizes flow over structure, sensual delight over getting shit done. This talk is the last in the series on the KWML archetypes and will take you into realms of addiction, sexuality and the yearning to be One with God.
The other archetypes

Now updated with practices at the end. One of the most popular articles on Masculinity-Movies.com is about the KWML archetypes outlined in Robert Moore and Douglas Gillette's book. Dive into the murky waters of your subconscious and discover that there are men who sleep inside you who are the stuff of legends. Now, your work is to wake them up. This article is a good starting place for that long road towards maturity.
Reassigned to a mental institution after the prison system tires of his disobedience, McMurphy hopes to while away his sentence in a less taxing environment. Instead, he finds himself engaged in a battle of wits with the pitiless Nurse Ratched – who rules her patients with a cold-blooded zeal. Earning the respect and admiration of his downtrodden counterparts, McMurphy lights a fire in their hearts and stirs them to action– ensuring that none of their lives will ever be the same again.
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Saving private Ryan is a movie about II World War where an american group is ordered to find and get one soldier back home from the terrain of France, since this one soldier's all four brothers had been killed in combat. It is a interesting journey to look on the relationships between the men, and how the archetypal energies show up in this movie, switching side by side. Ultimately this movie is about courage. It is about making your dreams real.
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Jamal, a young black man from the Bronx finds a mentor in an unexpected place and in developing his writing skills with the aid of William Forrester, a Pulitzer Prize winning author, they both learn they need each other. The journey that both make holds blessing for them both and at the end of the film we see them both being fully alive in their journeys.
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Would you rather be a charming and vibrant criminal who never uses his guns, or a boring and blunt law enforcement officer? That is the choice presented to us in this gangster drama. John Dillinger is a successful bank robber who shares a sense of brotherhood with his friends and attracts a gorgeous woman into his life. What more could a man ask for? This is a story about the importance of putting your morality first and of recognizing that without integrating our most basic drives we have no fuel to move forward.
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