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— John Keating, Dead Poets Society (1989)The powerful play goes on and you may contribute a verse. What will your verse be?
— John Keating, Dead Poets Society (1989)Gather ye rosebuds while ye may, Old Time is still a-flying: And this same flower that smiles to-day To-morrow will be dying.
— Jake Sully, Avatar (2009)All I ever wanted was a single thing worth fighting for.
— Maximus, Gladiator (2000)I've seen much of the rest of the world. It is brutal and cruel and dark, Rome is the light.
— Lars & Gus, Lars and the Real Girl (2007)Lars: Well, Bianca can help you. She's got nurse's training. Gus: No she doesn't. That's because she's a plastic...thing. Lars: That's amazing. Did you hear that? Bianca said God made her to help people.
— Patton, Patton (1970)No bastard ever won a war by dying for his country. You win a war by making the other poor bastard die for his country!
— Patton, Patton (1970)(looking at remains of a battle) I love it! God help me, I love it so. I love it more than my life.
— Quintus & Maximus, Gladiator (2000)Quintus: "People should know when they're beaten!" Maximus: "Would you, Quintus? Would I?"
— Christopher McCandless, Into the Wild (2007)I read somewhere... how important it is in life not necessarily to be strong... but to feel strong.
— Miles, Sideways (2004)Half my life is over, and I have nothing to show for it...I’m a smudge of excrement on a tissue, surging out to sea with a ton of raw sewage.
— Yuri Orlov, Lord of War (2005)Often the most barbaric atrocities occur when both sides proclaim themselves freedom fighters.
— Miranda, Mrs. Doubtfire (1993)Miranda (to Daniel): I bring home a birthday cake and a few gifts; you bring home the Goddamn San Diego Zoo. And I have to clean up after it!
— Gen. Omar Bradley, Patton (1970)Give George a headline, and he's good for another 30 miles.
— Parry, The Fisher King (1991)I have a hard-on for you the size of Florida!
— Katsumoto & Nathan Algren, The Last Samurai (2003)Katsumoto: Do you believe a man can change his destiny? Algren: I think a man does what he can, until his destiny is revealed to him.
— Lester Burnham, American Beauty (1999)Look at me, jerking off in the shower... This will be the high point of my day; it's all downhill from here.
— Miles, Sideways (2004)If you don't have money at my age, you're not even in the game anymore. You're just a pasture animal waiting for the abattoir.
— King Longshank, Braveheart (1995)Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. The dead cost nothing.
— William & Malcolm Wallace, Braveheart (1995)Young William: I can fight. Malcolm Wallace: I know. I know you can fight. But it's our wits that make us men.
— Ron Franz, Into the Wild (2007)When you forgive, you love. And when you love, God's light shines on you.
— Jack Lucas, The Fisher King (1991)I'm hearing horses! Parry will be so pleased!
— Christopher McCandless, Into the Wild (2007)The core of man's spirit comes from new experiences.
— John Keating, Dead Poets Society (1989)The powerful play goes on and you may contribute a verse. What will your verse be?
— John Keating, Dead Poets Society (1989)Gather ye rosebuds while ye may, Old Time is still a-flying: And this same flower that smiles to-day To-morrow will be dying.
— Jake Sully, Avatar (2009)All I ever wanted was a single thing worth fighting for.
— Maximus, Gladiator (2000)I've seen much of the rest of the world. It is brutal and cruel and dark, Rome is the light.
— Lars & Gus, Lars and the Real Girl (2007)Lars: Well, Bianca can help you. She's got nurse's training. Gus: No she doesn't. That's because she's a plastic...thing. Lars: That's amazing. Did you hear that? Bianca said God made her to help people.
— Patton, Patton (1970)No bastard ever won a war by dying for his country. You win a war by making the other poor bastard die for his country!
— Patton, Patton (1970)(looking at remains of a battle) I love it! God help me, I love it so. I love it more than my life.
— Quintus & Maximus, Gladiator (2000)Quintus: "People should know when they're beaten!" Maximus: "Would you, Quintus? Would I?"
— Christopher McCandless, Into the Wild (2007)I read somewhere... how important it is in life not necessarily to be strong... but to feel strong.
— Miles, Sideways (2004)Half my life is over, and I have nothing to show for it...I’m a smudge of excrement on a tissue, surging out to sea with a ton of raw sewage.
— Yuri Orlov, Lord of War (2005)Often the most barbaric atrocities occur when both sides proclaim themselves freedom fighters.
— Miranda, Mrs. Doubtfire (1993)Miranda (to Daniel): I bring home a birthday cake and a few gifts; you bring home the Goddamn San Diego Zoo. And I have to clean up after it!
— Gen. Omar Bradley, Patton (1970)Give George a headline, and he's good for another 30 miles.
— Parry, The Fisher King (1991)I have a hard-on for you the size of Florida!
— Katsumoto & Nathan Algren, The Last Samurai (2003)Katsumoto: Do you believe a man can change his destiny? Algren: I think a man does what he can, until his destiny is revealed to him.
— Lester Burnham, American Beauty (1999)Look at me, jerking off in the shower... This will be the high point of my day; it's all downhill from here.
— Miles, Sideways (2004)If you don't have money at my age, you're not even in the game anymore. You're just a pasture animal waiting for the abattoir.
— King Longshank, Braveheart (1995)Not the archers. My scouts tell me their archers are miles away and no threat to us. Arrows cost money. Use up the Irish. The dead cost nothing.
— William & Malcolm Wallace, Braveheart (1995)Young William: I can fight. Malcolm Wallace: I know. I know you can fight. But it's our wits that make us men.
— Ron Franz, Into the Wild (2007)When you forgive, you love. And when you love, God's light shines on you.
— Jack Lucas, The Fisher King (1991)I'm hearing horses! Parry will be so pleased!
— Christopher McCandless, Into the Wild (2007)The core of man's spirit comes from new experiences.
The Matrix is a movie about infinity, hero’s journey and energy flows. The main character Neo is a 30-year-old hacker living a lonely life. His days are filled with tasks that don’t resonate with his own core. Tired of his life he’s fallen asleep with his music on. Suddenly his computer starts to talk to him. Neo listens. The journey starts.
Genre | Action, Scifi |
Production year | 1999 |
Director | The Wachowski Brothers |
Living a life of conformity and boredom Neo alias Mr. Anderson is a lonely man who makes pirate programs for his ‘clients’. One moment his computer starts to talk to him. In this scene as a metaphor a man starts to listen to his own deepest voice. His own heart. And it came so loud and obvious to him that the man (Neo) started to pay attention.
He follows it. And as long as he listens to that authentic deep voice, his old thoughts and beliefs start to become after him. In the movie the agents and police men represent Neo’s old thought patterns and beliefs. Neo connects with Morpheus through phone. Morpheus is a man who is much farther on the path of knowing the Matrix and he sees the awakening potential in Neo.
Morpheus won’t give up on Neo. The phone rings at night, Neo picks up the phone, it’s Morpheus. Morpheus has become a mentor in Neo’s life. Now the mentor guides Neo to follow the next steps. Neo goes under the bridge, in the car, and suddenly Trinity’s colleguae pulls out a gun in front of Neo and commands Neo to take of his shirt. Neo is shocked.
He almost gives up but the loving, truthful, honest, convincing feedback from Trinity gives Neo inspiration to stay. In this scene the loving support of the friends who see the greatness and truth in you and who don’t buy your bullshit, can inspire you. Only honest feedback to a friend can inspire and help a friend. It might be intense but it reveals what’s truly important to you in your life. Trinity takes the machine and removes the ‘bug’ – the resistance – from Neo’s guts.
Neo meets Morpheus. Morpheus offers him a choice to take a red pill or a blue pill. Red pill is the path of wonder, questions and excitement, and the blue pill is the path of predictable boredom.
Neo takes the red pill and Morpheus shows him how deep the rabbit hole goes. Neo starts to see the beauty of every moment => awakening from the Matrix. He sees the things he has taken for granted in a new perspective. He realizes he has an imagination. He wakes up and sees loads of people in sleep.
New things require new muscles to train, and Morpheus and his crew take care of Neo’s growth. Neo realizes as he decided to take a red pill to become a man that there’s no way of going back to the old life.
With the help of the operator Neo starts to load martial arts skills into his unconscious. Morpheus takes Neo to a training program. Imagination – infinity, the base of creativity – is the place where you can load and unload whatever you wish. This is the place of sowing and reaping. Make sure that you take care of the weeds (in the film metaphorically Agents, policemen), and plant the good stuff. To know more about the law of sowing and reaping check out Jim Rohn’s version of it.
Neo visits the Oracle. The Oracle points out to Neo that one of the foundations of the mature life is through knowing thyself.
Morpheus is in danger and Neo realizes what he needs to do. Resistance forces – police and gunmen are guarding the house where agents keep Morpheus.
Neo knows what to do. He believes his cause – to bring Morpeus back.
After a fight, a battle against resistance forces inside, Neo finally overcomes the agents (his own negative self-talk aka shadow side,) he overcomes himself. Receiving the love and support from Trinity through a romantic kiss, Neo gets up again and leaps into the battle.
Agents shoot bullets toward him but this time Neo is strong and skilled enough to stop the bullets (the destructive negative self-talk and words) and he sets a boundary to himself by saying ”No.” from his depth.
He knows his power and sees the Matrix – energy dynamics, patterns and flows, the ”code” – of the world, and through this realization he’s able to go inside of the Agent Smith. He has overcome himself.
Neo walks out from the phone booth with a new sense of confidence and sees the world through a man’s eyes.